
my 3rd album, coming late 2026 {「∆」︵ 「∆」}
3x9x is an electronic lp abt a guy named al (from divided, remember!), doing a self-discovery journey after a painful breakup with his friend, alvaro.
later, tho he does find out what he really is (an independent artist), al realises there was a lil equation waiting to be solved by him, all along.. js to 'dictate' who he is. the answer he found was 0 and he thought he was nothin', so then he realizes sometimes, loneliness will never die.. even when trying to get used to it. so...
yes, the two friends (al and alvaro) get back together!!
it ties together with the optimism of the last track.
to get u hooked abt the new project—and maybe compare it to my sophomore album, divided!
3x9x's supposed to sound better than the divided album, even if the sound designing has some ups and downs—which is part of the story!
get ready to hear kasane teto, milk, piento, jonloid, gahata meiji (diffsinger ofc) and ryone yami's tuned voices (in specific tracks!), in openutau!
math and internetcore/webcore comes together in this album, with a little bit of dreamcore! (yes, bc liminal spaces n shi-)
genres the 3x9x songs are categorized in, in no particular order are:
the album's supposed to have 18 tracks (if u thought it was like 3×9=27 tracks, u were wrong!).
the total minutes or hours? unknown.
song names in the image right in the bottom ↓
the album's supposed to have some sort of a rebellious, abstract yet deeply emotional flair to it.

yeah
ambient-rock hybrid
features: myself (i voice both alvaro and al)
yes this is literally the album title song
al and alvaro end their friendship for the 2nd time, bc al has been spending more time with milk than with alvaro. al sees it as jealousy, but alvaro still breaks up with him.. at a gourmet restaurant.
indie rock
features: me
al refuses to accept the breakup at first and describes the pain like being underwater, BUUUT the song shifts from determination and optimism to smth hollow as he tries to move on and act unfazed.
ambient / downtempo / glitch
features: no one
this interlude captures the “melancholy after the storm.” al is left sitting with the emotional aftermath, quiet and reflective, as the album briefly slows down.
future bass / ambient / glitch
features: my lines and some from teto
al wanders off to do.. whatever tf he wants, then he spots a strange barefoot girl described later in st4lker as 'a ghost of white shining lights' (and is gahata meiji). curious but kinda uneasy, he walks away, which pushes the story into a more mysterious (and dark) direction.
pop / hyperpop (with industrial sfx)
features: kasane teto, gahata meiji and meeee
kinda the first vocaloid song of this album ig
al's now convinced that the girl from “mita…” is stalking him (in the internet), while teto tries to push back on his paranoia and tell him he’s js hallucinating. al eventually emails meiji, accusing her of 'dirty games', but she insists she only wanted to help him and turns the blame back on him.
melodic midtempo/instrumental
features: myself speaking in the outro
this track resolves the conflict from “st4lker.” al apologizes to meiji and finally admits defeat, folding in the album’s math theme through the idea of a 12° acute angle.
instrumental / psytrance-speed house hybrid
features: nothin' but a 'turn it up!' line
the darkness clears for a lighter, sillier self-remix of an earlier track. al teaches himself how to dance and let loose, tryna show a more sillier side :3
ambient / botanica / folk
will feature: myself
al thinks seriously about whether to begin his self-discovery journey, feeling like a fool after “almost there!”. he steps away from the screen and back into nature as a metaphor for trying to move forward beyond the breakup.
melodic dubstep / color bass
will feature: milk
al tries pushing toward taking his first real step in self-discovery, like a rocket launch. the momentum rises, but the overall happiness.. doesn’t last into the next track.
interlude/glitch
will feature: jp tts
al begins to feel sensory overload and dizziness, setting up the next track. it acts as a brief but important bridge into a more intense phase of the album.
future riddim
will feature: a tts line
this track is where the overstimulation from memai fully hits. the sound design itself becomes part of the story, growing more chaotic—but still melodic btw—until it finally 'ends' and gives way to the next song.
dubstep
features: tts lines. hey remote from bfb!!

al tries reaching out to a stranger online, hoping to connect the way a bluetooth device would. he doesn’t succeed, so he returns to his desktop and prepares to confront his identity more directly.
hyperpop
will feature: oliver (ryone yami's voice) and myself!
al realizes he is an independent artist and rejects a corporate deal that could turn his work into a product. this is also the first song where oliver appears as a secondary singer, making the track a major turning point.
future bass
will feature: no one
this is the direct resolution to “undefined”: al tries to 'paint' something colorful and prove the suit guy wrong, leaning into creative freedom and a more defiant sense of self.
dnb / glitch
will feature: piento and milk
al creates a beautiful canvas, but no one sees it, including his friend. he and alvaro drift apart into regret and loneliness, realizing too late how much they miss each other.
hyperpop / vocaloid
will feature: oliver (ryone yami's voice), jonloid and myself!!!!
al receives teto’s letter and discovers the equation that gives the album its title. he solves it and gets 0, which triggers an existential crisis as he believes he has no purpose anymore.
midtempo/glitch/ambient/color bass
will feature: oliver cameo and myself!!!!!
al learns that alvaro came to his house that same day, and both finally apologize properly. they admit the breakup hurt them both and decide they need to make peace and get back together.
will feature: oliver (ryone yami's voice), with vocal chops from teto and myself ofc!
al decides to reject logic as a source of validation and embraces a more rebellious, free approach to identity. the album closes the divided arc, once and 4 all, by affirming that numbers can’t define a person or calculate human feelings (take that pythagoreans!!!!!), bc the friends have chosen each other once again (instead of individuality).
note: in each single, except the vip version of 'wavechord' and "the bluetooth device is ready to pair!" (or tbdirtp for short), there are like two songs that are in the album AND close to eachother (so this is why some songs like mita and the album title track dont have singles of their own)
3x9x.